Proof by David
Auburn was originally produced Off-Broadway by the Manhattan Theater Club in
May 2000. In October 2000, the play was transferred to Broadway at the Walter
Kerr Theater. The first Broadway produced starred Mary-Louise Parker, Larry
Bryggman, and Ben Shenkman. Proof closed
on Broadway in January 2003 with a total of 917 shows. Also the play won two
awards, the 2001 Pulitzer Prize for Drama and Tony Award for Best Play. It is
still staged in most theaters, as such regional and community theaters.
en.wikipedia.org/wiki/Proof_(play)
The play Proof is
about this young woman named Catherine who has gained some of her deceased
father's mathematical genius. Her father was a mathematical genius at the
University of Chicago. He struggle with mathematical and mental illness. This
is the same struggle Catherine is going through. As her sister Claire come back
in town and sells the house, she become even more stress out having to prove to
everyone that she is stable to stay on her own. After her father's death, Hal,
one of Robert ex-graduate student and Catherine's lover, discovers some proof
about prime number. Catherine then has to prove that the proofs are her and
stay mentally under control.
One dramaturgical choice the playwright is the idea of mental
illness. Robert and Catherine both had a line of mental illness. They both
obtain it at the same age. Also Catherine is experiencing the same kind of
problems he was having such as, talking to invisible people. The idea of having
this mirroring effect helps the audience to see how the father was. It helps us
see their struggle move. Another dramaturgical choice was the first scene when
Catherine was talking to her father but he was not there. We later on find out
that he has been dead and she was see things. By including this scene, we see
early on that Catherine has a serious problem.
This is cool! I did the same show and tell and it's funny that we performed a scene from this play together! I enjoyed doing that with you. Also, great synopsis of the play! You definitely hit it right on the spot. This play was super interesting to read and also perform!
ReplyDeleteAllena--
ReplyDeleteJust a quick note: "the idea of mental illness" isn't really a dramaturgical choice in the way we've been talking about. It's an issue or a subject, but dramaturgy has more to do with what how Auburn chooses to stage that issue. Your observation about how Auburn includes a scene at the beginning of the play where the main character speaks to someone not there is a better example of a dramaturgical choice. Does this difference make sense?
JF